Tecnicha: film

TITTA COSETTA RACCAGNI

Posted on January 14, 2019 by -

Pornopoetica

Pornopoetica is an art project that explores the border between sexual desire and pornography. Its aim is to either create or open up new visions and possibilities. Pornography usually uses stereotypes. On the opposite Pornopoetica introduces the ideas of unknown and unfamiliar as aesthetical principles and ways to de-construct bodies.

The project questions both the body representation and its performativity. It stages body and the obscene in order to trigger a short-circuit in the approach to pornogrphy.

Cecilia Grasso

Posted on April 17, 2017 by -

How would it be, for a woman, living a day as a man?

The background of a drag show is the opportunity to explore inside the most intimate aspects of Kinging.

From stories and experiences of a group of Drag Kings, daily recorded, it emerges a construction practice identity staging gender stereotypes and bares the predominance of men in our society.

The author, with participant but not intrusive gaze, show fascination and complexity of a little unknown universe, where the surplus becomes spectacle, and the transformation is liberating narrative of the self.

Lilly Lablonde

Posted on January 8, 2017 by -

I am a perfomer, writer and director for theatre and cinema. My artistic interest focuses on the desire to represent stories that hardly find their own space in the art world. I have always been very passionate about the topic of gender identity and sexuality.

In my performative works I experiment with different languages of art communication (video, literature, sound and poetry). In the last two years I have been mainly focused in the realization of short films: Immaginare T (2014) and The Second Closet (2015).

Under the artistic name Lilly Lablonde I created the international art project Bibliothèque Érotique that has the goal to work on the topic of erotism and sexuality through literature and the live performance.

Silvia Chiogna

Posted on October 11, 2015 by -

Per il Film MIRCO ho scelto di non lavorare secondo lo stile documentaristico convenzionale. Non volevo osservare le persone dall’esterno e fare un film sugli altri, i Transgender, i diversi. Volevo affrontare l’argomento Generi nel suo significato generale perché è un argomento che penso riguardi tutti. Per questa ragione, a metà del film, entro in scena io stessa come persona che nel film dovrebbe rappresentare la classica ottica bipolare uomo-donna.

Non ho voluto fare un film che affronta l’argomento raccontando solo il lato deprimente di chi purtroppo si scontra tutti i giorni con una società di generi normativa e rigida, anzi, ho cercato di esplorare questa tematica con leggerezza, riconoscendo nel gioco e nello scherzo un’occasione per mostrare un punto di vista differente. Per questo ho realizzato insieme a uno dei protagonisti alcune scene da Agent provocateur,  infrangendo le regole di comportamento di genere e osservare le reazioni delle persone, semplicemente filmandole.