Tecnicha: scultura

RICCARDO MATAKLAS

My work arises explores the realm of human consciousness and the discovering of its unfolding quality.
I have a sculpture background but I mainly work with performance and painting and with both, I explore the true potential of human being and reveal the hidden yet undiscovered sides of our potential.

My work witnesses a phenomenological approach, therefore, it often appears after long research and deep inquiries, in fact, I often associate my work to a geopolitical context. Concerns in my work include spiritual growth and how human being can develop further as a species living on earth, including the cycle of birth and death, I show the positive side of being, collectively and alongside tuned to the individual understanding of the world.

My performance and painting are responsive about the human condition in different cultural e geographical contexts. My work attempts to find answers and solutions to our way of behaving in the world as responsible creatures.

Silvia Giambrone

Mainly I use conceptual art to illustrate my own social commentary with a focus on the relation between subject and power. Through several media including performance, installation, sculpture and sound, I explore body practices and contemporary gender politics making viewers aware of the silent and hidden ways power enters everyday life and affects relationships. I am interested in material culture and image culture and I dig into everyday life and practices to reveal, as it was almost an archaeological operation, the signs of both the physical and invisible evidences of the ‘subjectification’ process.

Rambelli e Bigi

’29 our circled world’ is a project realised by Silvia Bigi and Laura Rambelli and stressing the idea that the femininity and the today’s women’s space needs to be re-found searching for new direction.

The 70’s fights have of course helped to give all the social rights, material goods and space to women, but at the same time, they have created a big distance with their real nature. Women and men are not equals, they are different, but this is no one’s fault, this is not a matter of power. This diversity deeply lives in our body, our circled life, our biological and mental transformations. Our diversity is our strength, and – we think – the real nature and meaning of complementary love with men. It’s time to accept it. It’s time to develop a new way of communicating, really connected with us by stopping the search of this condition of “equality” that doesn’t exist. Women have their strengths, their fears, their pain. Men have their own. Man as a man, woman as a woman. We want to gently take action, without violence or strong speeches, this idea applied to today’s men and women.

Anna Ramasco

Anna Ramasco inscena performances collettive volte a superare la diffidenza verso i “diversi” grazie a turbini leggeri, ironici e positivi che li vedono protagonisti. Ha particolare attenzione alle disabilità, soprattutto alla sordità. La performance “50 segnanti” si è svolta a Palazzo Grassi  nel Maggio 2014 all’interno dell’atmosfera straniante di  un’opera di Doug Wheeler.

Nella performance individuale “La fioraia” ArtVerona 2013 una sessualità a tratti drammatica, morbida o kitch viene festeggiata in una danza in cui falli fatti a mano o acquistati vengono inseriti in vasi di piante fiorite.